Now what? Housing & Transportation Keeps Truckin Along

Glimmerglass truck

 All Glimmerglass Opera employees, with the exception of orchestra members, are provided housing during their summer stay. Solidifying living spaces for close to 250 people is no small task. Glimmerglass has a Housing & Transportation Department (Director of Housing & Transportation Dianne Ciano and Housing & Transportation Manager Rose Wheeldon) that works diligently year-round to assure everyone arrives safely and has welcoming housing while in the area.

During the 2009 Festival, Glimmerglass provided housing for 242 employees, including guest artists, conductors, directors, designers, production and music staff, Young American Artists and interns. Glimmerglass Opera leased 74 privately-owned area properties for 91 staff members, and 131 staff members stayed in company-owned residences located in Richfield Springs, Springfield and Cherry Valley.

At the end of the season, the Housing & Transportation Department (otherwise known as H&T) begins the process of returning possession of leased properties back to respective owners and winterizing company-owned units. This includes conducting a final inspection of all premises to assess and resolve any condition or damage issues, disconnecting or suspending phone and internet services, and determining what leased properties used in 2009 will be available for lease in 2010. Repairs to company-owned properties are prioritized and scheduled for completion between seasons.

Glimmerglass owns a fleet of 15 vans, trucks and passenger vehicles for company use. With the exclusion of a van, car and truck used to plow snow (all too often), all vehicles are rotated off the road and placed in winter storage at the company’s warehouse in Warren, New York, (where production rentals are also housed). Come spring, the fleet vehicles are placed back into service as needed.

As soon as the 2009 season ends, H&T starts contacting guest artists and other staff members as they are contracted, to offer suitable housing options for 2010. Never a slow moment at Glimmerglass Opera.

Insider Language Defined

We’ve been throwing the term “strike” around in some of our recent online exchanges, and I’d like to apologize. Some concerned readers thought the use of “strike” meant we had a protest in effect! The word “strike,” in the theater world, refers to when the set, lights and costumes are dismantled, inventoried and either disposed of or stored for future use.

In Glimmerglass Opera’s case, much of the scenery and costumes are inventoried and packed for storage in our warehouse. Other opera companies have the opportunity to rent scenery and costumes from Glimmerglass Opera. You can see those available for rental here: www.glimmerglass.org/Productions/productionrentals.html.

The 2009 La Traviata is actually a co-production with Vancouver Opera. The scenery and costumes were packed and moved to our warehouse until 2011, when it will travel to Vancouver Opera. Check out this short clip to see as one of the walls is prepped for travel:

We will continue to be as diligent as possible about defining insider terms as they are used, but please do not hesitate to contact us in the future if another one slips by!

Strike!

The 2009 Festival concluded today with La Traviata, but there is no rest for the weary. The company has already begun to strike scenery, costumes, lights, etc., preparing everything for storage or the next destination. This process will probably take the company through Friday.

Backstage at The Consul

R.B. Schlather, The Consul Assistant Director, took a camera backstage during one of the performances, capturing singers before and during the performance. Check it out!

Get to Know…Alison Bates

Young American Artist Alison Bates is in her first year with Glimmerglass Opera. She is covering (or understuding) Violetta in La Traviata and Anna Gomez in The Consul.

traviata cover run

Alison Bates as Violetta and Robert Kerr as Giorgio Germont in the cover run of La Traviata. Peyton Lea/Glimmerglass Opera

 

GGO: What are you looking forward to most about your time at Glimmerglass Opera?

A: If I had to choose the one opera role out of the entire volume of opera literature that I have always most wanted to sing, it would be Violetta in La Traviata, so getting to cover Violetta, learn and coach the role in-depth, observe a great Violetta like Mary Dunleavy, and have one full cover performance on the stage of the theater with the full orchestra is absolutely a dream come true for me.  I’ve been wanting to learn and sing this role ever since I started college, so finally having an opportunity like this is incredibly exciting. 

 

GGO:Where do you like to go to have fun?

A: I have to admit that I’m sort of a homebody.  I spend so much time away from home that my greatest joy is getting to be home with my husband and family.  I either like snuggling on the couch watching movies with my husband or swimming at my parents’ pool with my entire family gathered together.

 

GGO: What is your all-time favorite comedy movie?

A: I don’t have a lot of “favorites,” but if I had to pick one, I would say probably Monty Python and the Holy Grail, because it never fails to make me laugh.  Just listening to sound clips from the movie are enough to make me laugh on a bad day.

 

GGO: What is one food you can’t live without?

A: Macaroni and cheese.  It’s easy, it’s cheap, and it’s the ultimate comfort food.