Headshots: Tips to make life easier for everyone

During my time in the public relations department at Glimmerglass Opera, I have had the opportunity to look at the headshots of many opera singers. Perhaps I haven’t seen quite as many as Don Marrazzo, our Director of Casting and Artistic Operations, but I have seen my share. It’s important for opera singers to remember that their headshot will be used for more than just casting scenarios. Once cast, the singer’s headshot is then used for publicity purposes – in programs, news articles, etc.  Here are a few ways opera singers can make life easier for an opera company’s public relations department (and ultimately themselves) when it comes to headshots:

  • It’s helpful for public relations and/or marketing departments at opera companies to have choices – perhaps a more formal headshot along with a casual shot. With options, I can choose your formal shot to promote you in a dramatic role, and vice versa.

 

  • Color images are preferred. I can always turn your image black and white.

 

  • If you have a website (which you should), please make high-resolution versions of your photographs immediately available – not only for opera company PR departments, but the media as well. I hope this would actually make your life easier as well. You won’t have to worry about getting your high-resolution image to a media source or PR department on a tight deadline – especially if you’re on the road.

 

  • Many opera singers have long careers. Keep your headshot updated! I know I don’t look the same as I did 20 years ago. Your headshot helps sell you as an artist. Make sure you’re selling the right product.

I recently posted headshots of some of the 2010 Festival artists on our website.  

Here are a few I’m a fan of:

Ms. Lindstrom sings the title role in our 2010 production of Tosca. She looks beautiful in this photo.

Lise Lindstrom sings the title role in our 2010 production of Tosca. She looks beautiful in this photo. I also found it very easily on her website.

Julie Boulianne - credit Dennis Kwan

Julie Boulianne will sing Elisa in 2010′s Tolomeo. Beautiful color shot. She is represented by IMGArtists, and I easily found this on their website. Also, she looks like this in person.

 

 

 

Name that Production

 

Name that ProductionStarting Monday, November 23, Glimmerglass Opera will offer a fun contest via Facebook: Name that Production.

On Mondays throughout the holiday season , we will post a photo of a past production on Glimmerglass Opera’s Facebook wall.

You will be asked to e-mail the answers to the questions below, and for every correct answer you will be entered in a drawing to win Glimmerglass Opera merchandise – T-shirts, CDs, libretti, books and more. A winner will be alerted each Friday.

Name of Production:

Year of Production:

Director:

Scenic Designer:

Costume Designer:

Lighting Designer:

Current year-round staff is excluded from this contest. If you participate, please be sure to let us know the best way to reach you in the e-mail with your answers. To refresh your memory, take a look at the list of Glimmerglass Opera’s past productions.

Good luck!

OPERA-tion Quilt

National Opera Week, organized by OPERA America and the NEA, continues through November 22. In honor of this inaugural event, Glimmerglass Opera worked with second graders in the area to create opera quilts that are hanging in nearby grocery stores.

June Dzialo, Marketing & Public Relations Manager, and I joined second grade classes at Cooperstown, Richfield Springs and Milford Central Schools and The Brookwood School to give a multi-media presentation of opera. We started by asking the children their definitions of opera, and we got some great answers and even demonstrations.

“Opera is when they sing really loud.”
“They sing on stage.”
“People sing really high in opera.”
“Don’t they wear those hats with horns?”

We continued by showing (very short) video clips of The Consul, La Traviata and La Cenerentola. Could the students tell what is going on? “She’s happy,” they said of Mary Dunleavy’s “Sempre Libera.” “The mean sisters don’t want Cinderella to go to the ball,” they said of La Cenerentola. We showed pictures of the process of building scenery and costumes, and we showed a video of a changeover. We were really impressed that, for the most part, the students were engaged throughout the entire presentation. By the end, the children were able to list what it takes to create an opera.

After the presentation, the students drew their impressions of opera on pieces of fabric we provided. We saw pictures of singers on stage, conductors, orchestra members, the building of scenery, and one student even said he illustrated his own opera – about aliens. Creativity abounded. June and I took these fabric pieces and combined them into opera quilts, which are now hanging in groceries stores in the area. Here are some pictures:

Logan works extremely hard on his quilt square.

Logan works extremely hard on his quilt square.

Students show off their work.

Students show off their work.

Very talented second graders.

Very talented second graders.

June assists in hanging a quilt at Great American in Cooperstown.

June assists in hanging a quilt at Great American in Cooperstown.

The Richfield Springs Central School Quilt at Price Chopper

The Richfield Springs Central School Quilt at Price Chopper