Soprano Deborah Voigt will be interviewed by radio host Nimet Habachy at the Metropolitan Museum’s Grace Rainey Rogers Auditorium at 6 p.m. tomorrow, May 10. The interview will cover Voigt’s great success in the Met’s new production of Die Walküre and her upcoming performance in Irving Berlin’s Annie Get Your Gun with us this summer. Tickets are at the door or go to Metmuseum.org for more information.
Deborah Voigt to Discuss Annie Get Your Gun
The Divas Share the Spotlight
On Tuesday, April 5, we held our Spring Gala to benefit the Young Artists Program. The event, entitled “Four Divas. One Spotlight.,” was held at The Metropolitan Club and featured performances by 2011 Festival artists Alexandra Deshorties, Patricia Schuman, Deborah Voigt and J’nai Bridges. Surprise guests Nathan and Julie Gunn, Tony Kushner and Jeanine Tesori and Young Artist Lindsay Russell also performed.
The evening began at 6:30 p.m. with cocktails in The Metropolitan Club’s grand lobby. A performance including several 2011 season favorites began at 7:30 p.m., with the Gunns performing prior to their evening engagement at Cafe Carlyle. Sopranos Patricia Schuman and Lindsay Russell, composer Jeanine Tesori and librettist Tony Kushner offered a taste of the one-act opera A Blizzard On Marblehead Neck, which will receive its world premiere at Glimmerglass this summer. Alexandra Deshorties performed “Dei tuoi figli la madre tu vedi” from Cherubini’s Medea, followed by J’nai Bridges who presented an aria from Carmen. Deborah Voigt switched directions from current rehearsals as Brünnhilde at the Met and culminated the evening’s program with the lovely “They Say It’s Wonderful” from Annie Get Your Gun, in which she will have her role debut as Annie Oakley this summer at Glimmerglass. Voigt will also serve as the Glimmerglass’s inaugural Artist in Residence and work with the 2011 Young Artists throughout their residency with the company.
The event was chaired by Nancy Barton, Carole Johnson, Elizabeth Eveillard, Patricia Kavanaugh, Felicia Blum and Hedy Hage, with Pauline Eveillard and Sage Mehta as Junior Committee Co-Chairs. After dinner and a small auction, dessert and dancing to the Peter Duchin Orchestra was held in the grand lobby.
Board Chair Betty Eveillard, Julie and Nathan Gunn, Artistic & General Director Francesca Zambello
The evening began with cocktails in the grand lobby.
Tony Kushner and Jeanine Tesori were in attendance and performed.
Mark Pedot, Nancy Pedot with Judy and Allen Freedman
Young Artists Lindsay Russell (left) and J'nai Bridges with Sakura Myers (center).
John Musto and Peter Duchin
L to R: Gala Co-Chairs Nancy Barton and Carole Johnson with centerpiece designer Jean Doyen de Montaillou.
Photos by Ken Levinson.
Designing Annie Get Your Gun
Court Watson designs sets and costumes for our upcoming production of Annie Get Your Gun, which will feature leading dramatic soprano Deborah Voigt as Annie.
Court’s designs have most recently been seen at Salzburger Landestheater, Ford’s Theater, the Shakespeare Theatre in Washington, D.C. and Theatre Madgeburg in Germany. His production of Cabaret runs through March 27 at the John W. Engeman Theater at Northport. The New York Times review can be read here.
He took a break from his busy schedule recently to tell us a little about his designs for the Francesca Zambello-directed production of Annie Get Your Gun.
“Francesca and I were interested in exploring a time in American history when the real “Wild West” was already gone and we began to romanticize it in a fictionalized glossy way. By the 1890s, there was a Transcontinental Railroad, and Cincinnati was a big city. We looked at the graphic style of the period, from travel posters selling the idea of the Great West as well as folk art and barn paintings. The idea of the sunburst actually came from [a] photo of the rooster on the side of a barn in Ohio, near where Annie Oakley was really from. This graphic style is a romanticized version of the natural landscape in the same way that the musical romanticizes the West, but keeps it late enough that the real West is already gone.
The space is essentially an open space, like the Prairie, that can easily reconfigure as the cowgirls and cowboys of Buffalo Bill’s Wild West Show, in and of itself a celebration of the lost West, push crates of scenery and costumes around. We are presenting their theatricalized version of the West, not the reality of the 1850s, long gone by the 1890s.
Conveniently, there is a WEALTH of biographical information and wonderfully stage studio photographs of Annie and Frank. We have drawn on them, along with period research to create a brightly colored world reminiscent of the Buffalo Bill poster art, tempered with real dirt and grime of these people working with live animals in the Great Outdoors.”
Gunslingin’ Soprano
Deborah Voigt will have had her fair share of on-stage gun handling leading up to her role as Annie Oakley this summer thanks to her recent appearances as Minnie, Puccini’s Girl of the Golden West.
Minnie is a poker-playin’, motherly and endearing, bossy yet self-conscience woman. Many of those qualities are found in Irving Berlin’s Annie Oakley – that, and both women carry a gun.
After performing the role of Minnie at San Francisco Opera last summer, Voigt went on to a run at the Met this December/January. New York Times’s Anthony Tommasini wrote “She looks in her element when she appears in Act I, breaking up a brawl in her bar by shooting three rounds on her rifle.”
She has gone on to sing the role at Lyric Opera of Chicago (which may be seen through Feb. 21). Of this portrayal, the Chicago Classical Review wrote, “Dramatically, the soprano seemed completely at home in the role whether in her hearty camaraderie with the boys in her saloon, breaking up bar fights with her six-shooter, or cheating at cards to save her man. Yet Voigt also showed touching vulnerability when conveying Minnie’s loneliness and her reawakened love for the on-the-lam bandit Ramerrez.”
While being interviewed backstage of The Girl of the Golden West during the Met’s Live in HD transmission (of which we are a proud partner), on January 8, Voigt mentioned her upcoming performances as Annie Oakley. Take a look:
Video courtesy The Metropolitan Opera.
Notes From Francesca: Shout Out
On Saturday, I had the opportunity to meet many of our Syracuse friends when I attended The Met: Live in HD broadcast at Carousel Center. The Glimmerglass Festival is now a proud partner with the Met’s Live in HD series, so in addition to traveling to Syracuse to tell everyone about our upcoming summer season we watched the Met’s production of La Fanciulla del West, which featured many singers you will see at Glimmerglass this summer. Debbie, for one, sang the title role – did you hear her mention her upcoming appearances as Annie Oakley at Glimmerglass? The mezzo-soprano who sang the role of Wowkle is Ginger Costa-Jackson, who joins us this summer as Carmen. Keith Miller, who sang the role Ashby, will sing the role of Escamillo in Carmen this summer. Dwayne Croft, who sang Sonora, also made a mention of his upstate New York upbringing during an interview.
All in all, we saw a lot of familiar faces during the Fanciulla broadcast. Expect to see many of these wonderful performers at Glimmerglass this summer.
Notes From Francesca
I am currently in Washington DC rehearsing Salome with a wonderful cast. In addition to Deborah Voigt we have Daniel Sumegi, who last appeared at Glimmerglass in The Barber of Seville as Don Basilio in 2006. Here he plays John the Baptist (Jokanaan), who loses his head. Other cast members include the Wagnerian tenor Richard Berkeley-Steele and Doris Soffel, making her debut here as Herodias.
This new production at Washington National Opera is designed by Peter Davison (sets), Anita Yavich (costumes) and Mark McCullough (lighting), who returns to Glimmerglass this summer for his ninth season. We open October 7, and the production runs through October 23.
"The Master Butchers Singing Club" at the Guthrie
I recently left Minneapolis, where I was working on the new play, A Master Butchers Singing Club, which was adapted for the stage by Marsha Norman from Louise Erdich’s novel. Here is a nice article with Marsha Norman and Louise Erdich: The power trio behind ‘The Master Butchers’.
I was very excited by the response to our opening at the Guthrie Theater:
“This elegant adaptation by Marsha Norman (“‘night, Mother”) of a sweeping multi-decade novel, “The Master Butchers Singing Club,” puts forth impressive contributions all around.” – Variety
“Hardships and heartbreaks aplenty can’t suppress the joy and love that come through in Guthrie’s production.” – Star Tribune
The Master Butchers Singing Club runs through November 6.
The fall continues to be busy. On November 10 at 7 p.m., I am speaking at OPERA America as part of its Making Connections series. Make your reservations through OPERA America to join us for the discussion or check the OPERA America homepage, where the lecture should be streamed live.
I will also speak at the Wagner Society of New York on November 17 at 7:30 p.m. about Valhalla East and West, San Francisco Opera’s Ring Cycle, and plans for the Glimmerglass Festival. Friends of Glimmerglass at these events should be sure to say hello.
Voigt: Brünnhilde to Annie Oakley
Deborah Voigt as Brünnhilde on a poster outside the Met
Deborah Voigt makes several notable debuts this year, including her performances as Annie in next summer’s new production of Annie Get Your Gun. Prior to that in April, Voigt takes on the role of Brünnhilde for the first time in Robert Lepage’s new Metropolitan Opera production of Wagner’s Die Walküre, conducted by James Levine. Here is an excerpt from an interview with Matt Dobkin at PlaybillArts.com back in March about her upcoming performance as Brünnhilde:
“PlaybillArts: Speaking of complicated roles, next season you’ll sing your first complete Brünnhilde in Robert Lepage’s new Ring. How are you feeling about that role?
Deborah Voigt: I’m excited and thrilled about it, but I would be lying if I didn’t say that I am sort of daunted by the challenge. It’s in the early stages, but I think it’s where it should be at the moment. You know, once you take on Isolde and Brünnhilde, there’s no going back. It is sort of the pinnacle of my career. But the timing is right given the repertoire that I’ve done and the experience that I have.”
Read the full interview here.
Notes From Francesca
At the MacDowell Colony with (L to R) Playwright Terrence McNally, Deborah Voigt and Music Director and Accompanist Kevin Stites
This photo was taken at the library at the MacDowell Colony in Peterborough, New Hampshire, on July 23. This wonderful artists’ colony has welcomed the likes of Leonard Bernstein, Aaron Copland and Thornton Wilder. The four of us spent time at the Colony this July to work on ideas for a one-woman show featuring Deborah Voigt, which will premiere at The Glimmerglass Festival next summer.
Deborah Voigt in Annie Get Your Gun
We recently announced that Deborah Voigt will join us as Annie in next summer’s Annie Get Your Gun. If you missed it, be sure to read Dan Wakin’s recent NYT blog post on the role of Annie. He provides some interesting history on past Annies, such as Ethel Merman and Mary Martin, and provides some great clips for comparison. Be sure to check out the final clip he references of Voigt singing Berlin’s “I Love Piano.”
2011 Festival Details Released
THE GLIMMERGLASS FESTIVAL ANNOUNCES DETAILS FOR 2011
Four New Productions,
Including a World Premiere and Professional Premiere,
Headline the 37th Festival
Festival Artists Include Anne Bogart, Rod Gilfry, Nathan Gunn,
Tony Kushner, Terrence McNally, John Musto, David Pittsinger,
Jeanine Tesori and Deborah Voigt
Company Inaugurates Annual Artist in Residence Series
COOPERSTOWN, N.Y. – The Glimmerglass Festival has released details regarding its 2011 summer season, the first under incoming General & Artistic Director Francesca Zambello.
Francesca Zambello
The 2011 Festival will open with new productions of Bizet’s Carmen and Cherubini’s Medea. Additionally, a double bill of two new operas highlighting American artists will feature the world-premiere production of A Blizzard On Marblehead Neck, a Glimmerglass-commissioned work by the award-winning team of composer Jeanine Tesori and playwright Tony Kushner, and the professional premiere of John Musto and Mark Campbell’s acclaimed Later the Same Evening. The four operas will be joined by Irving Berlin’s Annie Get Your Gun. The main stage productions will be supplemented by special performances, concerts, lectures and symposiums throughout the season.
“For years, Glimmerglass has been celebrated for its devotion to the operatic form and for its adventurous productions of familiar and unfamiliar works from the classic repertoire,” Zambello said. “As part of the company’s mission to produce new, little-known and familiar operas and works of music theater, The Glimmerglass Festival will offer an annual production of an American musical theater piece performed in the way it was first heard with full orchestra and chorus and without amplification. Irving Berlin’s Annie Get Your Gun will inaugurate this series as our fourth production.”
CARMEN (Bizet/Meilhac & Halévy)
The 2011 season features strong heroines – and the fiery Carmen is no exception. The role of the independent protagonist will be sung by Ginger Costa-Jackson in her role and company debut. Costa-Jackson is a recent member of the Metropolitan Opera Lindemann Young Artist
Ginger Costa-Jackson sings Carmen.
Development Program. Adam Diegel returns to Glimmerglass as Don José after his performance this summer as Cavaradossi in Tosca, for which he was praised for his “smooth and darkly tinged voice.” Keith Miller will sing the role of Escamillo. Miller has been seen as Zuniga in the Met’s production of Carmen and also recently appeared in Salome and Madame Butterfly, both of which were broadcast live in HD around the world. American soprano Anya Matanovič will sing the role of Micaëla in her company debut. The production will be directed by Anne Bogart, who serves as the Artistic Director for the SITI Company and whose work was last seen at Glimmerglass in 2008 with Bellini’s I Capuleti e i Montecchi. Glimmerglass Music Director David Angus will conduct.
“Glimmerglass is known for unusual repertoire, so Carmen seemed a strange choice, until I heard that it would be directed by Anne Bogart,” Angus said. “Everything that Anne touches is transformed into something exceptional and different, so I am thrilled I will be doing Carmen with her.
“We can expect a completely new approach to the work, and I am sure we will discover many new layers of the story and a very strong staging. When this is combined with the Glimmerglass tradition of bringing in the newest generation of young stars, this will be a Carmen worth traveling a long way to see.”
James Schuette, who designed costumes for Bogart’s Glimmerglass production in 2008, will design sets and costumes. 2010 Tony Award nominee Robert Wierzel, who has designed more than 35 productions for Glimmerglass, will design lighting. SITI Company member Barney O’Hanlon will choreograph.
MEDEA (Cherubini/Hoffmann)
Medea, Cherubini’s rarely performed opera, will be presented in Italian. The role of Medea, the scorned wife who will stop at nothing for revenge, will be sung by Alexandra Deshorties in her role and company debut. A graduate of theMetropolitan Opera Lindemann Young Artist Development Program,
Alexandra Deshorties sings Medea.
Deshorties made her Met debut as the High Priestess in Aida and has since appeared as Elettra in Idomeneo, Fiordiligi in Così fan tutte and First Lady in The Magic Flute. Jason Collins, seen last summer in Seattle Opera’s Ring Cycle, will sing the tenor role of Jason. Collins last performed at Glimmerglass in 2002 as The Chevalier in Dialogues of the Carmelites. Wendy Bryn Harmer, also a graduate of the Lindemann Young Artist Development Program, will sing the role of Glauce. The role of King Creon will be sung by David Pittsinger, last seen at Glimmerglass in 2005 as The Traveller and The Elderly Fop in Death in Venice. Pittsinger has most recently performed at the Met as The Animal Trainer/Acrobat in Alban Berg’s Lulu and The Speaker in Julie Taymor’s production of The Magic Flute. Other engagements include performances as Emile de Becque in South Pacific at Lincoln Center Theater. He also appeared as Enobarbus in a Carnegie Hall concert performance of Antony and Cleopatra with New York City Opera. Englishman Michael Barker-Caven, known for his work in London’s West End and the Royal Opera House, will direct and Italy native Daniele Rustioni will conduct, both in their U.S. debuts. They will be joined by Joe Vanek, who will design sets and costumes. Robert Wierzel will design lighting.
DOUBLE BILL (Tesori/Kushner)
A Blizzard On Marblehead Neck
The world premiere of A Blizzard On Marblehead Neck will be inspired by an episode in the life of playwright Eugene O’Neill. This will be the first operatic composition for Jeanine Tesori, who is well-known for her scores on Broadway, including Shrek The Musical and Tony Award-winning Caroline, or Change. Pulitzer Prize-winning playwright Tony Kushner will provide the original libretto; Kushner is acclaimed for his Tony Award–winning play, Angels in America, which was later turned into a mini-series. His other plays include A Bright Room Called Day, Slavs! and Homebody/Kabul. He wrote the book for Tesori’s Caroline, or Change and the screenplays for Mike Nichols’s film Angels in America and Steven Spielberg’s Munich. Zambello will direct A Blizzard On Marblehead Neck. Court Watson will design costumes.
Later the Same Evening (Musto/Campbell)
Originally commissioned by the National Gallery of Art, the Clarice Smith Performing Arts Center and the University of Maryland, Later the Same Evening is a one-act opera inspired by five paintings of American icon Edward Hopper. The opera is written by Pulitzer Prize-nominated composer John Musto and award-winning librettist Mark Campbell, who previously collaborated on the highly successful comic opera, Volpone, for Wolf Trap Opera. Later the Same Evening imagines the lives of the figures in Hopper’s paintings and weaves a narrative that connects them – both tangentially and directly – on a single night in New York City in 1932. “Ultimately, the opera is a love letter to the city,” explains librettist Campbell, ”and celebrates the serendipity its inhabitants hold sacred…and its belief that love could always be just around the next corner.” The production will feature Patricia Schuman in the role of Estelle Oglethorpe. Schuman has performed in many leading opera houses and festivals, including the Met, Vienna State Opera, Salzburg Festival, Royal Opera House Covent Garden and Houston Grand Opera. Baritone Jake Gardner will perform the role of Ronaldo Cabral. Gardner returns to Glimmerglass after performances as Jupiter in the company’s 2007 production of Orpheus in the Underworld. Leon Major, who directed Later the Same Evening’s 2007 premiere to critical acclaim, will direct; David Angus will conduct. David Roberts designed costumes for the premiere and designs this new production. Erhard Rom, who also teamed with Major on the premiere, will design the sets for the double bill in his company debut. Mark McCullough will design lighting for A Blizzard On Marblehead Neck and Later the Same Evening.
ANNIE GET YOUR GUN (Berlin/Fields)
Based on the real-life romance of sharpshooter Annie Oakley and Frank Butler, Berlin’s Annie Get Your Gun features the popular and well-known songs “Anything You Can Do I Can Do Better,” “I Got Lost in His Arms,” and “There’s No Business Like Show Business.” Leading dramatic soprano Deborah Voigt will sing the title role. Although Voigt is internationally revered in the operas of Richard Wagner and Richard Strauss, and is noted for portrayals of such Italian operatic heroines as Tosca and Aida, she has also sung Broadway and popular songs in recital and in special cabaret presentations. Rod Gilfry will sing the role of Frank Butler, Annie’s love interest. Gilfry is a two-time GRAMMY nominee who can currently be seen as Emile de Becque in the U.S. National Tour of the Lincoln Center Production of Rodgers and Hammerstein’s South Pacific. Buffalo Bill Cody will be sung by Jake Gardner. Zambello, known for both her opera and theater productions, will direct the musical. Kristen Blodgette, who has worked on many Broadway productions, will conduct. Court Watson will design sets and costumes in his company debut, and Mark McCullough will design lighting. McCullough returns, after having designed Das Liebesverbot in 2008, for his ninth season with the company.
GLIMMERGLASS FESTIVAL ARTIST IN RESIDENCE
New in 2011, the company will host a Glimmerglass Festival Artist in Residence. Each summer, an Artist in Residence will join the company for the season and be fully integrated into the Festival. The inaugural Glimmerglass Festival Artist in Residence will be Deborah Voigt who, in addition to starring in Annie Get Your Gun, will perform special solo performances throughout the summer and work closely with members of the company’s Young American Artists Program.
“Great opera singers are always seeking ways to renew and refresh their art,” Zambello said. “Every summer, The Glimmerglass Festival will be enriched by an internationally acclaimed artist who will join us for the entire season to explore new avenues of expression, to mentor our Young Artists and to interact with our public. We are especially pleased to welcome Deborah Voigt as our first Artist in Residence in 2011.”
Voigt said, “I am honored to have been chosen as The Glimmerglass Festival’s first Artist in Residence. I love working with young, talented singers. To have the opportunity to mentor them over a period of weeks, during which we all live, work and create together, will be very special. I certainly hope it will be enriching for them, and I know it will be fulfilling for me.
“Fifty or 60 years ago, these big, classic American musicals were originally scored with very large orchestras, and there was certainly no sound amplification,” she continued. “It will be exciting to sing Annie this way, and I’m certain that our audiences will find it very satisfying to hear the orchestra and the singing performed the way it was intended.”
CONCERTS AND SPECIAL PERFORMANCES
The 2011 Glimmerglass Festival will feature two special performances. A cabaret starring Deborah Voigt will take place on July 29, 2011. This performance will be the premiere of a program developed by Voigt, director Zambello and award-winning playwright Terrence McNally. McNally has written the books for the musicals The Full Monty, The Rink, Ragtime and A Man Of No Importance, as well as the libretto for Jake Heggie’s Dead Man Walking at San Francisco Opera. He is also acclaimed for his Tony Award-winning play, The Master Class, which focuses on the life and career of operatic soprano Maria Callas. The performance will take place in the Alice Busch Opera Theater at 3 p.m.
“I’ve been doing evenings of show songs, ballads and cabaret songs for a few years now,” Voigt said, “and these performances have met with great response from audiences and critics alike – which is wonderful because I really love doing them. A cabaret can be very much like an art song or lieder recital. The evening must be carefully constructed and have a theme that both the artist and audience can relate to. This makes it more personal, which is what this kind of intimate evening is all about. I love singing opera, but it is a very different kind of experience. [In an opera performance] I am up there on stage, hundreds of feet away from the audience, with a 100-piece orchestra between us. So I’ve always loved and appreciated these more intimate evenings of song, whether classical or popular. At The Glimmerglass Festival, we’ll be looking for a little bit of both, perhaps, for our cabaret evenings. I’m not exactly sure yet…but I can guarantee that it will be magical…and lots of fun!”
Nathan Gunn will also perform a concert accompanied by his wife, Julie Gunn, in the Alice Busch Opera Theater on August 12, 2011, at 3 p.m. Mr. Gunn made his Glimmerglass debut in Zambello’s production of Iphigenia in Tauris in 1997. He has appeared in internationally renowned opera houses such as the Met, San Francisco Opera, Seattle Opera, Houston Grand Opera, Paris Opera and Glyndebourne Opera. A frequent recitalist, Mr. Gunn has been presented in recital at Alice Tully Hall by both Lincoln Center’s Art of the Song series and the Chamber Music Society of Lincoln Center, and by Carnegie Hall in Zankel Hall. He recently released a solo album, Just Before Sunrise, on the Sony BMG Masterworks label. Other recordings include the first complete recording of Rogers & Hammerstein’s Allegro and his debut album, American Anthem, a collection of American songs.
“My summers at Glimmerglass were two of the most memorable and enjoyable I’ve ever spent,” Mr. Gunn said. “The beauty of the lake, eating ice cream downtown, and the perfect evenings at the opera brought everything I love about summer together in one small town. I can’t wait to be back.”
MEET ME AT THE PAVILION
New in 2011, The Glimmerglass Festival will present Meet Me at the Pavilion, a series of special performances and lectures that will take place in the company’s Thaw Pavilion next to the Alice Busch Opera Theater. These performances will be presented all summer and will consist of concerts, lectures, post-performance discussions with cast and crew, and performances by members of the Young American Artists Program. Deborah Voigt, baritone Rod Gilfry, the 2011 Young Artists, and acclaimed composer and pianist John Musto will be involved in the summer series of special performances and concerts. His playing is featured in song recitals, chamber music, concertos and solo works.
BACKSTAGE TOURS, CHANGEOVERS AND Q&As
In addition to Meet Me at the Pavilion, audience members may continue to enjoy free previews prior to each performance, where a member of the music staff will offer an exploration into the work about to be performed. Free backstage tours will still be offered every Saturday in August at 10 a.m. During backstage tours, audience members have the opportunity to take a behind-the-scenes look at how each production comes together. Between performances on Saturdays in August, audience members can remain in the theater to watch as the production crews change the scenery and lighting to that of the next production. A member of the production staff narrates as the crews race to change the scenery in less than three hours. In 2011, audience members will be invited to remain in the theater after many performances for special Q&A sessions with the cast and creative teams.
SHOWTALK
Next summer, The Glimmerglass Festival will introduce ShowTalk, a series that will take place over three weekends and two weeks in August when visiting scholars and artists will explore topics related to the Festival productions.
“In the coming months, we will announce the prominent group of artists and experts who will engage us during the 2011 ShowTalk,” Zambello said. “Anticipate an eclectic mix of cultural and critical perspectives on music, theater, art and ideas.”
The 2011 Festival runs July 2 through August 23. Subscriptions for the 2011 Festival are currently on sale. Ticket buyers should note that many performance times next year have been scheduled earlier to better accommodate dining and travel arrangements for Glimmerglass visitors, and a new weekend subscription is now available in August. For more information on the 2011 Glimmerglass Festival and performance dates and times, visit www.glimmerglass.org or call the Box Office at (607) 547-2255.
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Francesca Zambello officially assumes the role of General & Artistic Director commencing September 1, 2010. She will succeed Michael MacLeod, who has held the position for five years. The company is a professional and non-profit organization that offers approximately 40 performances of four productions that run in rotation during July and August. Since its opening in 1987, the company’s Alice Busch Opera Theater has been home to more than 85 productions. The 2010 Festival runs from July 9-August 24 and features four new productions: Puccini’s Tosca, Copland’s The Tender Land, Mozart’s The Marriage of Figaro and the U.S. professionally staged premiere of Handel’s Tolomeo. For additional information, call (607) 547-2255 or visit www.glimmerglass.org.
