Final Curtain

Final curtain call of the season.

Final curtain call of the season.

The 2010 Festival came to a close August 24 with a final production of Puccini’s Tosca. The four productions met with much acclaim – both from audience members and members of the press.

 

This summer, we sold more tickets than in 2009, with an increase of 21.34%.

 

Here is what some of the media had to say:

This summer’s season at Glimmerglass was as inventive as usual, four operas across many eras.”
-Robert Levine, Classics Today

“Musically, Glimmerglass’ quality continues to keep it in the front ranks of American opera companies.”
-Joan Vadeboncoeur, Syracuse Post Standard

“There is rarely any question about the quality of singing, which can range from excellent to breathtaking. But when it comes to picking what operas we are going to see and how they will be interpreted, you can be sure that Glimmerglass will never deliver the same old thing. That’s why Glimmerglass draws audiences from the greatest distances. And no other company so stirs up an audience’s artistic juices and so fires debate.”
-James MacKillop, Syracuse New Times

“Ned Canty’s intelligent direction, along with Matthew Pachtman’s attractive early-20th-century costumes and Mr. Harris’s sensitive lighting, combined for a lean yet imaginative production. And the orchestra, conducted by Mr. Angus, did outstanding work.”
-Steve Smith on Tosca, The New York Times

“Like other centers of summertime opera in the United States, Glimmerglass Opera prides itself on nurturing the talents of young singers—so much so that it cast its first-ever production of Copland’s The Tender Land exclusively with members of its Young American Artists Program. The decision paid off handsomely….”
-George Loomis, The Classical Review

“Everything about the production glittered.”
-Geraldine Freedman on The Marriage of Figaro, Schenectady Daily Gazette

“…the company’s opening (and completely sold out) performance provided a colorful, amusing, quite wacky, and beautifully sung spectacle.”
-Jane Dieckmann on Tolomeo, Ithaca Times

“’Toloemo’ is a spectacular operatic achievement in every aspect.”
-John Paul Keeler, Hudson-Catskill Newspapers

Read more 2010 reviews or leave a comment to let us know what you thought.

Tosca — no mics, we swear

Several  audience members have asked us if we mic our performances (we do not). We  have most frequently been asked this during productions of Tosca. Lise Lindstrom (Tosca), Adam Diegel (Cavaradossi) and Lester Lynch (Scarpia) are vocal powerhouses. Here are some clips from the production:

Auditions that Weekend, Part 2

About two weeks ago, Eric Schnobrick mentioned our auditions for the Tosca children’s chorus.  After all has been said sung and done, we’ve finally settled on a great group for the upcoming season.  While companies typically are able to call upon a local performing group to fulfill these types of needs for a production, we are able to cultivate a much more homegrown product.  In fact, this year’s chorus encompasses five different school districts and speaks volumes about the local community (and lest I incur any pedagogical wrath from my oversight, their very talented and dedicated music teachers as well).  For many, this will be their first experience on stage, and it is certainly shaping up to be a great one.

On another note, if you’re interested in a chance to be a supernumerary this season and think you may fit the bill, feel free to e-mail me with any questions about it at jomalley@glimmerglass.org

Auditions this Weekend

This weekend, we are holding auditions for the children’s chorus that will appear in this summer’s Tosca. We are looking to cast eight children aged 12 and younger. The children’s chorus is featured in the first act of the opera, which takes place in a church in Rome. The children are part of the church chorus that will be singing to celebrate the supposed defeat of Napolean. The Sacristan (to be sung by Robert Kerr) tries to keep them in line and get them ready to sing, but it’s an uphill battle until Scarpia arrives and everybody falls silent. The children then sing the Te Deum to end the first act, in what is one of my favorite act-closing numbers in opera.

Tracy Allen, a longtime member of the Glimmerglass Opera Chorus, has been helping us a lot by setting up a place to audition the children this Friday afternoon and Saturday and by spreading the word to music educators in all of the local counties.

The auditions will be held at St. John’s Episcopal Church in Richfield Springs from 5-7 p.m. on Friday and 10 a.m. to 2 p.m. on Saturday.  We are asking that auditioners bring a folk song, NYSSMA solo or something that they have been working on in chorus.  We will probably ask the children to match pitch, clap back rhythms, or speak back some Italian.    

I’m really looking forward to meeting all the talented young singers who audition this weekend.